Seville ta dauki bakuncin wani taron da ke kallon al'ada ta idanun yanzu: nunin Soyayyar wata, wata Ya bayyana a cikin Gidauniyar Valentin de Madariaga y Oya a matsayin tafiya ta hanyar fasahar zamani wanda ke tattaunawa da waÆ™ar Federico GarcÃa Lorca, Zamani na 27 kuma tare da gypsy ainihi na kudu.
An haife shi a matsayin bikin Bikin cika shekaru 10 da kafa gidauniyar Alalá, wani aikin da aka kafa a cikin PolÃgono Sur, kuma yana ba da shawara ga labarin choral wanda ya haÉ—u da fasaha, al'umma da Æ™waÆ™walwar ajiya. An tsara ta Paco Perez Valencia, Nunin yana ba da izinin shiga kyauta da kuma kwarewa wanda ke gayyatar ku don duba ba tare da nuna bambanci ba.
Yabo mai rai ga Lorca da al'adun gypsy
Aikin yana ɗaukar bugun tunanin Lorca don tunkare shi daga hangen nesa na zamani, tare da guntu waɗanda ke ƙetare haɗin kai na zamantakewa, ilimin fasaha da mutunci na mutanen da aka kwatanta. Haɗin gwiwa tare da Gidauniyar Valentin de Madariaga y Oya tana tabbatar da saitin nunin aji na farko.
A cewar mai kula, kowane ɗaki yana aiki azaman babi mai cin gashin kansa wanda, gaba ɗaya, ya ba da shawara Wata hanyar kallon Gidaje Dubu Uku. An gudanar da haɗin kai tare da shiga Felipe Lozano (Madariaga Foundation), ƙarfafa haɗin gwiwa tsakanin ƙasa da halitta.
Dakuna takwas, benaye takwas
Samun shiga yana buÉ—ewa tare da É—akin da aka keÉ“e don haske da bugun jini na unguwar, inda MarÃa Ortega Estepa Yana gabatar da hankali wanda ke haÉ—i tare da yau da kullun da kusanci, tsakanin zanen da shigarwa, don kunna karatun sarari mai tasiri.
Daki na biyu ya hada da Kallon dabarar Anuca AÃsa, wakoki na hoto wanda ke mai da hankali kan cikakkun bayanai da yin shuru, yana bayyana abin da yawanci ba a gane shi ba.
A cikin daki na uku, an mayar da hankali a kan Pierre Gonnord, wanda hotunansa ke jaddada darajar waÉ—anda aka kwatanta. Matsalolinsa na maganadisu suna rusa ra'ayinsu kuma suna ba da shawarar kusanci mara kyau.
Wuri na huÉ—u shine É—akin sauti da aka sadaukar don Emilio Caracafe, wurin tunani don flamenco a cikin PolÃgono Sur, inda Æ™ananan guntu da guntu na kiÉ—a ke gano tushen gadon da aka raba.
Ci gaba da binciken Joy da Piñero y Cristina MejÃas, wanda ke aiki tare da murya, abu da aiki a matsayin kayan aiki don gano Æ™waÆ™walwar ajiya, al'ada da kayan aiki daga hanyar gwaji.
Tasha ta gaba ita ce Baitalami Rodriguez, tare da yadudduka, launi da yadi a matsayin filin juriya da bege, fahimtar launi kamar fata da kuma alamar da ke ba da kariya ga haÉ—in kai.
Dakin nunin na ƙarshe ya haɗu da aikin José Ramón Bas, ƙungiyar taurari na labarun gani inda daukar hoto ya haɗu tare da bayanin kula, zane-zane da sake tsarawa don taswirar rayuwa da motsin zuciyar yankin.
Bugu da kari, an kafa sarari mai zaman kansa tare da ayyukan da aka yi samari da 'yan mata suna da alaƙa da Alalá, wani shigarwa wanda ke mamayewa da kuma yada makamashi, yana nuna ilimi a matsayin dama ta gaske.
Masu fasaha da sana'o'i
MarÃa Ortega Estepa (Seville, 1983) ya haÉ—u da zane-zane, zane-zane, da tsaka-tsakin al'adu. Ayyukanta, tare da Æ™aƙƙarfan É“angaren al'umma, sun haÉ“aka a asibitoci, cibiyoyin ilimi, da mahallin zamantakewa daban-daban.
Anuca Aisa (Madrid, 1967) yana motsawa tsakanin daukar hoto da wallafe-wallafe, tare da aikin da ke ba da damar kusanci, jinkirin lokaci da hankali ga daki-daki, koyaushe daga zurfin hankali.
Pierre Gonnord (Cholet, 1963 - Madrid, 2024) wani mai daukar hoto ne da ya koyar da kansa wanda aka san shi don manyan hotunansa. Jerin nasa, yana mai da hankali kan ƙungiyoyin da aka ware, suna da'awar mutuncin fuska.
Emilio Caracafe (Huelva, 1960) mawaki ne kuma mai kida na Gidauniyar Alalá. Ayyukansa sun haɗu da al'ada da na yanzu, tare da tasiri mai mahimmanci akan sabon ƙarni na flamenco.
Cristina MejÃas (Jerez, 1986) yana bincika hanyoyin watsa ilimi, tsakanin rumbun adana bayanai, abu, da labari; Ayyukanta sun ratsa ayyukan yi na zamani da na'urorin nuni.
Joy da Piñero Suna gina ayyukan dogon lokaci daga mahangar madauwari, suna kunna ra'ayoyi da yawa akan wannan axis ta hanyar shigarwa, bidiyo da sassaka.
Baitalami Rodriguez (Valladolid, 1981) yayi bincike akan yadi a matsayin harshe na hoto da sassaka. Binciken da ta yi kan launi ya sami cikakkiyar haɗin kai na babban abu da ƙarfin ji.
José Ramón Bas (Madrid, 1964) yana haɓaka ɗaukar hoto, zane da gajeriyar rubutu don ƙirƙirar guda na musamman inda hoton ya zama labari, ƙwaƙwalwar ajiya da alamar filastik.
The curatorship fada zuwa Paco Perez Valencia (Sanlúcar de Barrameda, 1969), mai zane-zane, masanin tarihin tarihi kuma malamin jami'a, wanda hangen nesa ya haɗu da motsin rai, maganganun curatorial da montage a matsayin wani ɓangare na wannan labarin.
Kwanan wata, lokuta da shiga
Za a bude nunin daga Satumba 24 zuwa Nuwamba 23, 2025 a hedkwatar Valentin de Madariaga da Oya Foundation (Avenida de MarÃa Luisa, s/n, Seville).
Jadawalin shine Litinin zuwa Juma'a, 10:00 zuwa 14:00 kuma daga 17:00 zuwa 20:00; Asabar da Lahadi, daga 10:00 zuwa 14:00An shirya kaddamar da bikin Laraba 24th da karfe 18:30 na yamma..
Samun dama shine kyauta har sai cikakken iya aiki, budaddiyar gayyata ga mazauna gida, masu sha'awar zane-zane, da kuma baƙi waɗanda ke son samun labarin al'adu da ya samo asali a cikin birni.
Muryoyi daga ofishin kwamishina da jiyo daga unguwar
Tawagar masu kulawa ta jaddada cewa nunin na nufin nuna gidaje dubu uku nesa da clichés, tare da tausayi na gaskiya da girman kai na zamaShigar masu fasaha tare da alaƙa kai tsaye zuwa yanayin yana ƙarfafa wannan fassarar.
Daga Alalá Foundation, shekaru goma na aiki tare da yara da matasa na PolÃgono Sur ya zama labarin gama gari a nan: fasahar da ke tare da matakai, gane ganewa kuma ya bar alama a kan al'umma.
A matsayin taswirar hanya ga duk wanda ya zo, wannan baje kolin yana ba da shawarar tsallake wakoki da rayuwar yau da kullun, flamenco da kuma zamani lokaci, ƙwaƙwalwar ajiya da kuma gaba, tare da ayyukan da ke gayyatar ku don duba a hankali kuma ku saurari abin da ke bugawa a cikin unguwa.
