Yan jari-hujja ya iso da wata shawara wacce ta haɗu da haske da tsumma: ƙarƙashin veneer of romantic comedy yana kallon yadda kudi, matsayi da kamanni Suna daidaita dangantakarmu. Fim din Celine Song ya shiga cikin garin da ba ya kwana don nuna soyayyar da kasuwa ta gwada.
Babban jarumin, Lucy (Dakota Johnson), a mai daidaita wasan Nasarar da ke ba da umarni ga rayuwar wasu tare da dabaru na kaya da adadi. Hanyarsa tana raguwa lokacin da ya fashe Harry (Pedro Pascal), miloniya mai ruɗi, kuma ya sake bayyana John (Chris Evans), tsohon saurayi mai hazaka amma mara kudi. Tsakanin su biyun, fim ɗin yana tambayar nawa suke auna. ji game da asusun.
Abin da 'yan jari-hujja ke game da shi
Lucy tana aiki azaman mai yin wasa don abokan ciniki masu arziki, tana auna dacewa da masu canji kamar tsawo, kudin shiga, da shekaruJarumar ta yi alfahari da ƙwararrun ƙwararrun har sai rayuwarta ta sirri ta zama babbar shari'arta: Harry yana ba ta tsaro nan da nan alatu maras kyau, yayin da John ya ƙunshi alaƙar motsin rai da rashin kwanciyar hankali na rayuwar yau da kullun.
Triangle yana buɗewa tsakanin Hotuna a cikin Central Park, dakunan da ba su da kyau da kuma aikin kamara, amma ba katin wasiƙa ba ne. Song yana amfani da dabarar romcom don gudanar da muhawara mara dadi: Yaushe soyayya ta daina sha'awa ta zama jari?
Tashin hankali yana bincika hadisai a hanya Litattafan Jane Austen - aure a matsayin yarjejeniya ta zamantakewa - kuma yana dariya tare da wani abin ban tsoro game da ƙwallon ƙafa classics da fantasies na Yin jima'i a New YorkFim ɗin ya haɗu da wasan kwaikwayo tare da jin daɗin ban dariya, ba tare da zama cikakkiyar fa'ida ba.
Maɓallan jigogi: ƙauna, kuɗi da kasuwa
Yan jari-hujja X-rays da commodification na soyayyaMasu fafutuka suna magana akan "daraja," "matakin," ko "cancanta," ƙamus wanda ke bayyana yadda tsarin jari-hujja ya mamaye ko da girman kai. Kalmomin da ke yawo a kan labarin -"Ni ba kaya bane, ni mutum ne"-takaita bugun bugun Waka: tsayin daka wajen auna darajar lambobi.
Ana nuna al'amuran inda alamomi da masu tacewa ke nuna fasali kamar samfurin bayani dalla-dalla, kuma alƙawura suna aiki azaman tambayoyin aiki. A cikin layi daya, da lalata Yana bayyana a matsayin tsarin tsari: lokacin da rashin hankali ya tsananta, ra'ayin yin aure "a sama" ya zama dabarun tsiraFim din ya nuna haka sha'awa na iya zama haɗarin haɗari kuma wannan rashin daidaituwa yana ƙarfafa ruɗaɗɗen taimakon kuɗi da ƙauna. gyarawa dehumanizes waɗanda kawai neman su ji muhimmanci.
Salo da sautin: romcom tare da gefuna
Ba tare da rungumar satire ba, Song ta haɗu ladabi na gani, piano akan sautin sauti da manyan al'amura tare da yanke shawara na labari waɗanda ke girgiza verisimilitude ta hanyar ƙwallon ƙafaAkwai karkatacciyar hanya, gami da filaye da ke kan iyaka cin zarafi da haɗari a alƙawura, kusantar ba tare da romanticization.
Darektan ya fi tausayi fiye da izgili: sautin muryarta yana daidaita jin daɗi da wasan kwaikwayo, yana zaɓar wani abu. romantic heteropessimism wanda ke tare da tartsatsin barkwanci. Ko da yake wasu masu suka sun yi nuni da a gaggauta gamawa, saitin yana guje wa fadawa cikin clichés.
Tambarin Celine Song da Tattaunawa tare da Rayuwar da ta gabata
Idan in Rayuwar da ta gabata melancholy auna, a nan marubucin yarda da kanta ya zama m da ɗan tauri, ba tare da barin zurfin tunani ba. Haƙiƙanin ƙwarewar Song kamar mai daidaita wasan yana kawo sahihanci ga duniya hyperfeminine da kuma fadadawa, ku dillalai Suna bikin alkawuran kamar an cimma burinsu.
Saƙon ƙarshe yana ƙarfafa cewa, kodayake harshen tattalin arziki ya mamaye sirri, kauna tana adawa da adadiDon ƙauna, yana da muhimmanci mu ci gaba da ganin juna. kamar mutane, kuma ba kamar kayan masarufi ba.
Fim ɗin gaba ɗaya yana ba da ra'ayi na gaske game da sarƙaƙƙiyar alaƙar zamani, yana nuna cewa, duk da tasirin kasuwa, tuƙi na gaske da ingantacciyar ji sun kasance mabuɗin soyayya mai dorewa.
