Muhimmin jigo a cikin adabin Mutanen Espanya, Alfonsina Storni Ta bar tambarin da ke da wuyar gogewa: waƙar ta na kut-da-kut da ta tashe-tashen hankula, yunƙurinta na zamani da kare haƙƙoƙin mata a fili ya sanya ta a matsayin abin nuni da ya haɗa. Amurka da TuraiSunansa yana ci gaba da bayyana a cikin azuzuwa, dakunan karatu, da matakai, tare da tsarin aikin da ya rage.
Tun daga ayoyinsa na farko zuwa bankwana a Mar del Plata, aikinsa ya haɗu kokari, hazaka da sadaukarwaMarubucin Voy a dormir ya jimre wa matsalolin mutum da lafiya, ya buga littattafai masu mahimmanci, kuma an santa da ita lucid da jarumtaka look, tare da sauti na musamman a Madrid da kuma a cikin yankin Sipaniya-Turai.
Yarantaka da ilimi
An haife ta a Sala Capriasca (Switzerland) a 1892, ta zo tun tana yarinya a San Juan, inda mahaifinta, Alfonso Storni, ya samar da giya "Los Alpes" da mahaifiyarsa, Paolina Martignoni, kula da gida. Tun tana karama ta nuna sha’awar karatu da barna, kuma ana tunawa da ita da wani labari na makaranta da ya kwatanta ta. farkon dangantaka da littattafai.
A 1901, iyalin suka koma Rosario. Mutuwar uban ta kara dagulewa kuma Storni ya yi aiki Ta yi aiki a matsayin ma'aikaciya kuma daga baya a masana'antar kwalliya. A 13, ta fashe a wurin lokacin da wata 'yar wasan kwaikwayo ta kamu da rashin lafiya kuma budurwar, tare da izinin mahaifiyarta, ta shiga kamfanin na Spain. José Tallaví, tafiya Santa Fe, Cordoba, Mendoza, Santiago del Estero da Tucumán har sai da ta fahimci cewa rayuwar kauye ta gidan wasan kwaikwayo ba ta kasance gare ta ba.
Bayan ya dawo, ya yi karatu a Coronda kuma a cikin 1910 ya sami digirin malamiYa fara bugawa a gidajen buga littattafai na Rosario kuma daga baya zai tuna cewa waƙarsa ta farko ta zo yana ɗan shekara goma sha biyu, yana ƙarfafa sana’ar adabi riga ba zai iya tsayawa ba.
Aiki, da'irar wallafe-wallafen da kuma saninsa
A 1912 ta kasance uwa daya tilo Alejandro kuma ya zauna a Buenos Aires. Ta hada koyarwa da aiki a matsayin mai karbar kudi a cikin shagon "To Mexico City" da kuma halartar tarurrukan al'adu inda ya kulla alaka da mutane irin su Amado Nervo, Enrique Rodó, Horacio Quiroga, José Ingenieros y Manuel Gálvez.
Littafinsa na farko, Rashin natsuwa na furewar fure (1916), ya sami karbuwa sosai daga masu suka. Aka bishi Mai dadi yaji (1918) da Ba tare da bata lokaci ba (1919). Tare da Harshe (1920) ya samu Kyautar karamar hukuma ta farko da kuma Kyautar Adabin Kasa ta Biyu, kuma daga baya aka buga Ocher (1925) y Kalaman soyayya (1926). Hasashensa ya sanya shi a matakin Gabriela Mistral y Joan of Ibarbourou, tare da sanannen haɗin gwiwar a cikin La Nación y Fuska da Caretas.
A cikin layi daya, ya shiga cikin wasan kwaikwayo: ya fara farawa Maigidan duniya (1927) a Teatro Nacional Cervantes, wani yanki wanda ya haifar da rikici da gajeren gudu; daga baya ya zo Cymbelline, Polyxena da Little Cook da kuma Hanyoyi biyu na pyrotechnic (1931). Bugu da kari, ya bayar gidan wasan kwaikwayo na yara a gidan wasan kwaikwayo na yara na Labardén kuma ya koyar da karatu da sanarwa a Escuela Normal de Lenguas Vivas da kuma National Conservatory of Performing Arts.
Muryar mata kafin lokacinta
Ya kare aikinsa na waka da aikin jarida ba tare da jinkiri ba zabar mata, saki da daidaicin hakkiTa yi tir da dogaro da tattalin arziki kuma ta bukaci samun dama ga mata na hakika a cikin lokacin da hangen nesa na uba ya mamaye, ta samar da hangen nesa mai mahimmanci wanda ake ɗauka a matsayin majagaba a yau.
A 1928 ya shiga cikin halittar da Ofungiyar Marubuta ta Argentina (SADE), da Leopoldo Lugones a sahun gaba. Wannan yunƙurin haɗin gwiwa da kasancewarsa a wuraren tarurrukan al'adu ya ƙarfafa matsayinsa m mai hankali na duniyar Hispanic.
Turai da kuma m balaga
Ya yi tafiya zuwa Turai a ciki 1930 y 1932, ya fuskanci yanayin adabi na wannan lokacin, ya koma garinsu ya karba girmamawa a MadridA lokacin wannan mataki na balaga ya bayyana Duniyar rijiyoyi bakwai (1934) da kuma daga baya Masks da clover (1938), tare da tarihin waqoqin waqoqin da ya sake tabbatar da nasa murya guda daya.
Rashin lafiya da kwanakin ƙarshe
A 1935 an gano ta da cutar nono kuma an yi masa mastectomy. Ciwo da gajiya sun tsananta akan lokaci kuma ana buƙata ƙwayar cuta domin gudanar da ita. Yayin da cutar ta ci gaba, mawakin ya nemi hutawa ta hanyar zama a ciki Cordova y Mar del Plata.
A cikin Oktoba 1938 ta yi tafiya ita kaɗai zuwa bakin teku kuma ta zauna a gidan kwana San Jacinto (2861 Tres de Febrero Street). Nan ya rubuta wakar Zan kwanta kuma aika shi zuwa La Nación; ya kuma aika wa dansa wasikun bankwana Alejandro (mai shekaru 26) riga abokinka Manuel Gálvez, inda ya nemi a kula da lafiyar matashin.
Ya bar bayyanannun bayanai-a cikin su taƙaitaccen bayani.Na jefa kaina cikin teku"- kuma, da safiyar ranar 25 ga Oktoba, ya yi tafiya zuwa jetty na Kungiyar Matan Argentina, a bakin tekun La Perla, daga inda ya jefa kansa cikin ruwa. Gano daya daga cikin nasa takalma da aka kama a cikin ƙarfe a yarda a gano ainihin batu.
Jana'izar, ƙwaƙwalwar ajiya da alamu
Bayan bankwana a Mar del Plata, jikinsa ya yi tafiya zuwa Buenos Aires, inda aka shimfida shi a cikin Kungiyar Matan ArgentinaDa farko ya huta a cikin vault na Abun ciye-ciye a cikin Recoleta kuma, bayan lokaci, an canza gawarsa zuwa Pantheon na sanannun na Chacarita.
Siffarsa ta kasance marar mutuwa a gaban La Perla ta wurin sculptor Luis Perlotti, wanda aikinsa—ya sake daidaitawa bayan shekaru—yanzu ya kalli teku. Waƙar bayan mutuwa ta yi wahayi Ariel Ramírez da Félix Luna a cikin shahararriyar waƙar "Alfonsina y el mar", kuma rubuce-rubucensa na jarida sun dawo cikin Littafin da aka kona (Anthology of articles from 1919-1921) ya tabbatar da nasa m lucidity.
Storni ya raba tsara da girma da shahararrun mawaka kamar yadda Juana de Ibarbourou, Delmira Agustini da Gabriela Mistral, kuma liyafar ta bazu ko'ina Spain da Turai, inda ake karantawa da karrama ta tun a shekarun 1930. Ayyukanta-tsakanin ƙwaƙƙwaran ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan al'umma - yana kiyaye a gadon adabi da na mata tsayi-tsayi.
Ayyukan Alfonsina Storni ya ƙunshi balaguro, kyaututtuka, koyarwa, wasan kwaikwayo, aikin jarida, da wata murya ta musamman wacce ba tare da tsoro ba ta fuskanci iyakar lokacinta; rayuwa mai tsanani da har yanzu ke kalubalantar masu neman waka. gaskiya, kyau da tsayin daka.
