Teatro Real tana ɗaga labule tare da babban taken tashi: Othello, Giuseppe Verdi's penultimate opera bisa ga wasan kwaikwayo na Shakespeare. Za su kasance Wasanni 12 tsakanin Satumba 19 da Oktoba 6, tare da nunin fasaha wanda ya haɗa al'ada da hangen nesa na zamani.
Gidan ya dawo da taro na David Alden, wanda aka fara a cikin wannan ɗakin a cikin 2016 kuma an haɗa shi tare da Opera ta Ingilishi da kuma Royal Stockholm Opera. Bayan ƙwaƙƙwaran kiɗan, taken ƙasa tare da jigogi waɗanda suke sosai a yau -kishi, cin zarafin jinsi da wariyar launin fata- wanda ya doke a cikin makircin ba tare da rasa bugun wasan kwaikwayo ba.
Jadawalin, simintin gyare-gyare da ma'aikata
Shirye-shiryen ya haɗa da wasanni goma sha biyu tare da simintin gyare-gyare sau uku a cikin manyan ayyuka. A cikin rawar take suna canzawa Brian Jagde (farawar farko), Jorge de León y Angelo Villari; Desdemona zai sami muryoyin Asmik Grigorian y Mariya Agresta; da Iago zai zo rayuwa da Gabriele Viviani, Vladimir Stoyanov y Franco Vassallo.
An kammala simintin gyaran kafa da Airam Hernandez (Kashi), Albert Casals (Roderigo), In Sung Sim (Lodovico), Fernando Rado (Montano da mai shela) da Enkelejda Shkoza (Emilia). A cikin rami, Nicola Luisotti kai tsaye zuwa ga Babban Orchestra na gidan wasan kwaikwayo na Royal, tare da aikin Oktoba 6 by Giuseppe Mentuccia. da Principal Choir yana ƙarƙashin sandar José Luis Basso da kuma Ƙananan Mawaƙa na ORCAM zai kasance karkashin jagorancin Ana gonzalez.
- Ayyuka: daga 09/19 zuwa 10/06 (wasanni 12)
- Hanyar kiɗa: Nicola Luisotti (Giuseppe Mentuccia akan 06/10)
- Hanyar mataki: David Alden
- Haɗin kai: ENO (London) da Royal Stockholm Opera
Sunan Verdi, tare da libretto ta Arrigo Boito, Har ila yau yana buɗe axis thematic na kakar sadaukar don Shakespeare, wanda za a fadada tare da wasu ayyuka akan lissafin. Abubuwan da ake tsammani suna da girma, kuma Teatro Real tana ƙarfafa sadaukarwarta ga manyan simintin gyare-gyare da musanyawa. muryoyin duniya.
Samar da mataki da tsarin fasaha
Alden ya sanya aikin a cikin a birnin Bahar Rum ya lalace, wanda ke jaddada raunin jarumi da yanayin da ake ciki na aikin. A shimfidar wuri da kuma kayayyaki dauke da sa hannun Jon Morrell; da hasken wuta, na Adam Silverman; da kuma choreography, na Maxime BrahamBuɗewar guguwa-tare da ƙungiyar mawaƙa da jan ƙarfe mai zafi-da bambance-bambance tsakanin taro da raɗaɗi mai ban mamaki suna haifar da labarin da ke neman tashin hankali daga ciki.
Nisa daga katunan gidan waya na tarihi, wannan tsarin na gani da na wasan kwaikwayo yana ƙara haɓaka rikice-rikice na ciki Othello, kayan aikin manipulator na Iago da haske mai haske na DesdemonaSakamakon ya bi a m yanayi da bayyanannun inuwa waɗanda ke yin magana tare da ƙima na ciki.
Samfurin, wanda aka sake farfado da shi a Madrid bayan farkonsa a nan a cikin 2016, ya dawo ba tare da kayan shafa na gargajiya ba kuma tare da ƙirar matakin da ke jaddada kadaici, rashin tsaro da tumbukewa, vectors da Boito da Verdi suka sanya a tsakiyar bala'in.
Kiɗa, sanda da maki mai ban tsoro
Othello Yana da Everest ga kowane gidan wasan kwaikwayo: matsayin taken yana buƙatar ƙarfin hali, launi da iko; Desdemona yana buƙatar layi da dabara; Iago Yana buƙatar kalmomi masu kaifi da sarrafa murya. Ƙungiyar mawaƙa ba ta ba da jinkiri ba, kuma ƙungiyar mawaƙa tana ɗaukar lokuta masu ƙarfi, tun daga lokacin buɗewa zuwa babban jigon aiki na uku.
A gaba, Nicola Luisotti -daya daga cikin ƙwararrun ƙwararrun Verdi - ya ba da shawarar masana'anta mai sauti mai kula da dalla-dalla da wasan kwaikwayo, tare da kulawa ta musamman a cikin pianos waɗanda ke tallafawa shafuka kamar Ave Maria da Waƙar Willow. Gidan yana da nasa kungiyar makada ta titular da kuma Coro na gane ban mamaki tuƙi, tare da haɗin gwiwar na Ƙananan Mawaƙa na ORCAM a cikin sassan da ke buƙatar shi.
Wasan farko na Brian Jagde a kan takarda, tare da sauye-sauye na Jorge de León y Angelo Villari, yana sanya haske akan bayanin martaba wanda ba kasafai ake samun sa ba a yau saboda sa bukatar murya. Daga cikin sopranos, Asmik Grigorian y Mariya Agresta Suna ba da ƙarin karatun Desdemona, tare da aiki na huɗu wanda sau da yawa ya rage a cikin ƙwaƙwalwar masu sauraro.
Muhawara, mahallin da echoes na Shakespeare
Farfadowar tana tare da tattaunawa da jama'a. Daraktan mataki David Alden ya ba da shawarar mai da hankali kan baka na ɗan adam -bakar fata a cikin al'ummar farar fata, m ga magudi -, sama tattaunawa game da kayan shafa ko launin fata. A cikin layi daya, Asmik Grigorian Ya gayyace mu da kada mu manta da saƙon aikin yayin da ake fuskantar rigima.
A nasa bangaren, Nicola Luisotti ya jaddada ingancin shirin: da kishi a matsayin inji mai ban tausayi da cin zarafin mata kamar rauni a buɗe. Wannan Otello wani bangare ne na zagayowar a Teatro Real sadaukarwa ga Shakespeare, tare da ƙarin lakabi a duk tsawon lokacin da ke hulɗa tare da tunanin marubucin wasan kwaikwayo.
Bugu da kari, a ranar Satumba 25th za a yi a tsinkaya akan babban allo a cikin Plaza de Isabel II, a cikin Makon Opera, kuma za a ba da wasan kwaikwayon kai tsaye Mezzo TV, Medici TV y Mai kunna Opera Dina, kamar sauran watsa shirye-shirye daga Teatro RealTarihin lakabi a cikin gidan yana da yawa: bayan kasancewarsa na farko a cikin 1890-91, Real ta ci gaba da ci gaba da dangantaka da wannan. babban aiki daga Verdi repertoire.
Tare da libertto ta Arrigo Boito, Verdi distilled Shakespearean wasan kwaikwayo zuwa ga rashin tsaro da warewa daga Otello, yana barin bayan fayyace nassoshi masu fa'ida game da launin fata waɗanda suka fi bayyana a cikin gidan wasan kwaikwayo. Sakamako shine haɓakar wasan kwaikwayo mai ƙarfi wanda ke rufe zagayowar ƙirƙira mawaƙin zuwa matakinsa na ƙarshe.
Tare da waɗannan abubuwan-kwanakin, madadin simintin gyare-gyare, amintacciyar ƙungiyar fasaha da kuma tsarin da ke ƙalubalantar halin yanzu-Teatro Real ta ƙaddamar da kakar da ta fara da. kishin waka da kuma sana'a don isa ga kowane nau'in masu sauraro, duka a cikin gidan wasan kwaikwayo da kuma ta hanyar watsa shirye-shirye.
