
Barrack; Vicente Blasco Ibáñez
Barikin wasan kwaikwayo ne na karkara wanda lauyan Valencian, ɗan siyasa, ɗan jarida kuma marubuci Vicente Blasco Ibáñez ya rubuta. Aiki ne da aka buga a cikin 1898, kuma an tsara shi a cikin juzu'in da aka sani da Naturalism. A matsayin gaskiya mai ban sha'awa, a cikin 1945, Roberto Gavaldón ya samar da fim ɗin da aka saita a cikin littafin, wanda ke nuna Domingo Soler, Anita Blanch da Manolo Fábregas.
A gefe guda kuma, a cikin 1979, a gidan Talabijin na Sipaniya, an fitar da jerin shirye-shiryen da León Klimovsky ya jagoranta, wanda ya nuna wasan kwaikwayon Álvaro de Luna, Marisa de Leza, Victoria Abril, Lola Herrera da Luis Suárez a cikin manyan ayyuka. Take na Blasco Ibáñez yana da matsakaicin kima na 4.06 cikin 5 taurari akan Goodreads, wanda ke magana akan wani wuce gona da iri a cikin lokaci.
Mahallin tarihi da adabi
Don cikakken fahimtar La barraca wajibi ne a sanya shi a cikin tsarin Halittu, yunƙurin adabi da ke neman bayyana gaskiya ta haƙiƙa, kusan hanyar kimiyya, tare da mai da hankali kan mafi ƙanƙanta na rayuwar ɗan adam. A Spain a ƙarshen karni na 19, rashin daidaito tsakanin al'umma da talauci na yankunan karkara sun kasance da yawa, kuma Blasco Ibanez Ya tashi ya ba da murya ga waɗannan matsalolin ta hanyar labarinsa.
Marubucin ya kuma rinjayi motsin sake farfadowa, wanda ya ba da shawarar sake fasalin al'ummar Spain bayan koma bayan siyasa da tattalin arziki na karni na 19. Barikin ana iya fassara shi azaman ƙoƙari na haskaka rikice-rikicen zamantakewa wanda ya hana ci gaba a yankunan Spain.
taƙaitaccen labarin
Littafin ya mayar da hankali kan dangin Batist Borrull, wanda ya yanke shawarar yin hayan bariki — wani karamin gida na karkara—da kuma ƙasar da ke kewaye da shi, wanda aka yi watsi da shi bayan shekaru da dama da aka shafe ana rikici tsakanin ƴan haya da masu mallakar filaye. Sai dai zuwan nasa ya haifar da kiyayyar makwabta, inda suke kallon wadannan filaye a matsayin tsinuwa, kuma suna kallon Batiste a matsayin mai kutse da ke barazana ga al'adu da daidaiton al'umma.
Duk da kokarinsa na yin aikin gona da samun karramawar mutanen kauyen. Ana ƙara tsananta wa Batiste da iyalinsa. Wannan ƙin yarda yana ƙaruwa tare da ayyukan ɓarna da ta'addanci kai tsaye, yana haifar da mummunan yanayi wanda ke nuna rashin tausayi na rikice-rikice na zamantakewa da rashin yiwuwar tserewa rashin kunya na gama kai.
Manyan jigogi na novel
Gwagwarmayar aji da rashin daidaiton zamantakewa
Daya daga cikin fitattun jigogi na Barikin Rikici ne tsakanin ma’aikatan karkara da masu mallakar filaye, wadanda ke kula da kasa da kuma ci gaba da tsarin cin zarafi. Siffar Batiste tana wakiltar mutum mai aiki tuƙuru wanda ke fatan samun ci gaba ta hanyar ƙoƙari, amma yana fuskantar wani tsari na rashin adalci da kuma al'ummar da ke cikin kunci da hassada.
Kin amincewa da baƙo
Siffar baƙo ko mai kutse ita ce tsakiyar labarin. Duk da raba wahalhalu da bukatu iri daya da makwabtansu, Ana kallon Batiste a matsayin barazana ga mamaye filayen da al'umma ke daukar la'ananne. Wannan ƙin "sauran" yana nuna yanayin wariya da son zuciya waɗanda galibi ke tasowa a cikin rufaffiyar al'ummomin.
Fatality da determinism
Amintacce ga dabi'a, Blasco Ibáñez yana gabatar da halayensa a matsayin wadanda ke fama da muhallinsu da yanayin zamantakewar zamantakewar da ke kewaye da su. Duk da kokarinsa. Batiste ba zai iya tserewa mummunan makomarsa ba, yana mai jaddada ra'ayin cewa 'yan adam suna da sharadi na waje da abubuwan da suka fi karfinsu.
Dabi'a a matsayin saiti da kuma protagonist
Yankin Valencian ba wai kawai yana aiki a matsayin baya ba, har ma yana aiki azaman wani hali a cikin labarin. Cikakken bayanin na gonaki, amfanin gona da yanayi nuna duka kyau da ƙiyayya na yanayin yanayi, dangane da gwagwarmayar haruffa.
Personajes sarakuna
Batiste Borrull asalin
Jarumi, mai himma da gaskiya wanda kawai yake son samar da kyakkyawar makoma ga iyalinsa. Haƙurinsa ya bambanta da ƙiyayya ta maƙwabta.
Teresa
Matar Batiste, wacce ke raba wahalarsa da shi kuma yayi ƙoƙarin kiyaye kwanciyar hankali a gida.
'Ya'yan Batist
Suna wakiltar bege don kyakkyawar makoma, ko da yake su ma suna fama da sakamakon ƙin yarda da zamantakewa.
Maƙwabta
Gaba ɗaya, suna wakiltar rufaffiyar tunani da kuma son zuciya da suka mamaye al'umma.
Salon labari na aikin
Blasco Ibáñez yana amfani da salon kai tsaye da siffantawa, halayyar dabi'a. Cikakken hotunan yanayin karkara da al'adun manoma suna haifar da yanayi mai nitsewa, yayin da harshen tattaunawa na tattaunawa ya ba da sahihanci ga haruffa. Bugu da ƙari, marubucin ya yi amfani da labari mai cike da tashin hankali, wanda ke sa mai karatu cikin shakka har sai sakamakon.
Tasiri da liyafar
A lokacinsa, Bariki An yaba mata saboda bajintar da ta yi wajen tunkarar al'amuran zamantakewa da kuma yadda ta nuna amincinta na rayuwar karkara. Duk da haka, Ya kuma fuskanci suka saboda rashin kamun kai da tsantsar bayaninsa. Bayan lokaci, littafin ya kafa kansa a matsayin babban aiki a cikin wallafe-wallafen Mutanen Espanya, duka don darajar wallafe-wallafen da kuma dacewa da zamantakewa.
Legacy
Barraca aiki ne da ya wuce lokacinsa ta hanyar magance batutuwan duniya kamar gwagwarmayar tabbatar da adalci, kin waɗanda suka bambanta, da tasirin muhalli akan makomar ɗan adam. Vicente Blasco Ibáñez yana kulawa, tare da ƙwarewar labarinsa, don zana hoto na gaske da motsi na tashin hankali. wanda ya tsara rayuwar karkara a cikin karni na 19 na Spain.
Karanta wannan labari yana shiga cikin duniyar rikice-rikice masu zurfi na ɗan adam., inda yaƙin rayuwa ya ci karo da shingen rashin haƙuri da rashin daidaituwa.
Gutsure na Barikin
“Alkalan sun ajiye bayanan shaidun a cikin tunawa da su kuma sun yanke musu hukunci nan take, tare da natsuwar wadanda suka san cewa dole ne a aiwatar da hukuncin. Duk wanda ya yi fushi da kotu, tarar; "Idan wani ya ki bin hukuncin, za su kwashe ruwansa har abada, kuma zai mutu da yunwa."
Sobre el autor
An haifi Vicente Blasco Ibáñez a ranar 29 ga Janairu, 1867 a Valencia, Spain. A cikin rayuwa, ya ci gaba a kusa da shi, tare da jarida Kauyen -wanda ya assasa-, kungiyar siyasa ta jamhuriya da aka fi sani da blasquism. A lokacin kuruciyarsa, ya sami damar karantawa Miserables, da Victor Hugo. Tun daga nan, in ji ɗan tarihi Ramiro Reig, ya san cewa zai zama marubucin juyin juya hali.
Magana ta Vicente Blasco Ibáñez
- "Alhairi na gaskiya ya kunshi mugu ne, domin sai makiya masu firgita sun mika wuya da wuri kuma duniya ba ta shan wahala."
- “Malakin da ya yi murabus ga kaddara, bai nemi arziki ba, ko ta wane hali, da kugiya ko damfara, matsoraci ne ko mara amfani, kuma ba zai iya mayar da kazantansa zuwa ga cancanta ba”.
- “A matsayin dabba mai hankali, ya fi sauran dabbobi sanin girman hatsarin; amma yana rayuwa cikin jin dadi, domin yana da mantuwa a hannunsa, kuma yana da tabbacin cewa akwai wadatar da babu wata sana'a da ta wuce ta tsare shi.
- «Dabbobin bai san doka ba, adalci, tausayi; Yana rayuwa bawa ga duhun illolinsa. Muna tunani, kuma tunani yana nufin 'yanci. Mai ƙarfi, don ya zama mai ƙarfi, ba ya buƙatar ya zama mai zalunci; "Ya fi girma idan ba ta amfani da ƙarfinsa kuma yana da kyau."
- "Mutum, wanda aka hukunta shi har abada ga rashin kunya da son kai ta yanayinsa, zai iya ba da kansa kadan a cikin wani abu mai laushi kamar waƙa."
Sauran littattafan Vicente Blasco Ibáñez
Novelas
- Fantasies (Tatsuniyoyi da hadisai) (1887);
- Ga kasar! Romeu the Guerrilla (1888);
- Bakar gizo-gizo (1892);
- Jamhuriyya ta dade! (1893);
- Daren aure (1893);
- Shinkafa da tartana (1894);
- Mai iya fure (1895);
- Masoya (1895);
- Labarun Valencian (1896);
- Tsakanin bishiyoyin lemu (1900);
- Wanda aka hukunta (1900);
- Sónnica the courtesan (1901);
- Reeds da laka (1902);
- Cathedral (1903);
- Mai kutse (1904);
- Gidan giya (1905);
- A runduna (1905);
- Maja tsirara (1906);
- Son rai (1953);
- jini da yashi (1908);
- Mulkin matattu (1909);
- Luna Benamor (1909);
- A argonauts (1914);
- Masu dawakai huɗu na apocalypse (1916);
- Mare Nostrum (1918);
- Makiya mata (1919);
- Aron marigayin (1921);
- Aljannar mata (1922);
- Ƙasar Kowa (1922);
- Sarauniya Calafia (1923);
- Littattafai daga Cote d'Azur (1924);
- Wata al'ummar da aka sace (Ta'addancin 'yan bindiga a Spain) (1924);
- Uban ruwa (1925);
- A ƙafar Venus: Borgias (1926);
- Labarun soyayya da mutuwa (1927);
- Mademoiselle Norma (1927);
- Idyll mai nihilistic (1928);
- Sunan mahaifi Garci Fernández (1928);
- Marujita Quiros (1928);
- Mr. Avellaneda (1928);
- Tsakar dare taro: almara da hadisai (1928);
- Knight na Budurwa (1929);
- A neman Babban Khan (1929);
- Baba Claudio (1930);
- Fatalwa mai fuka-fuki na zinariya (1930);
- Matar da aka yanke mata da sauran labaran (1979).
Sauran ayyuka
- Catechism na kyakkyawan jamhuriyar tarayya (1892);
- Paris, ra'ayoyin wani emigré (1893);
- Alkalin. Wasan kwaikwayo a cikin ayyuka uku kuma a cikin litattafai (1894);
- A cikin ƙasar fasaha (watanni uku a Italiya) (1896);
- Gabas (tafiya) (1907);
- Argentina da girmanta (1910);
- Inuwa Attila: motsin zuciyarmu na babban yaki (1916);
- Yaƙin Mexiko: Nazarin da aka buga a manyan jaridun Amurka (1920);
- Wata al'ummar da aka sace (ta'addanci a Spain) (1924);
- A cikin duniyar marubuci (1924-1925);
- Don Spain da Sarki (Alfonso XIII ba a rufe) (1925);
- Me zai zama Jamhuriyar Sipaniya (Ga ƙasa da sojojin) (1925);
- Tarihin Yaƙin Turai na 1914 (1914-1921);
- Tarihin juyin juya halin Spain (daga yakin 'yancin kai zuwa maido da Sagunto) 1808-1874 (1890-1892).