Rashin haƙuri na zuciya: Stefan Zweig

Rashin hakurin zuciya

Rashin hakurin zuciya

Rashin hakurin zuciya, da yawa sun fi sani da m ibada o Ungeduld des Herzens, ta asalin takensa na Jamusanci, shine sabon labari wanda marubucin tarihin Austro-Hungarian, marubuci, fassarar, ɗan jarida, marubucin wasan kwaikwayo, masanin tarihi kuma mawaƙi Stefan Zweig ya rubuta. An buga aikin a karon farko a cikin 1939 ta mawallafin S. Fischer Verlag.

A ranar 1 ga Janairu, 2006. Acantilado ya buga bugu da aka fassara zuwa Mutanen Espanya, lo wanda ya ba da dama ga jama'ar Mutanen Espanya, ba kawai don sanin babban ingancin wallafe-wallafen Zweig ba, har ma, don gano wasu ayyukan da ya yaba. Kuma, kodayake marubucin ya shahara sosai a arewacin Turai, yaƙe-yaƙe sun hana shi yin farin jini a sauran ƙasashen duniya na ɗan lokaci.

Takaitawa game da Rashin hakurin zuciya

Mummunan sakamakon yawan tausayi

Labarin ya ba da labarin Laftanar Anton Hofmiller, matashin hafsa a cikin sojojin Austro-Hungary wanda, kwatsam, shine bako a gidan miloniya Bayahude Lajos von Kekesfalva. A lokacin wata liyafa, Hofmiller ya yi kuskure wanda ya canza rayuwarsa har abada: ya gayyaci Edith, 'yar shanyayyen mai masaukinsa, don yin rawa, ba tare da sanin rashin lafiyar yarinyar ba.

Yi nasara da kunya, Hofmiller yayi ƙoƙari ya gyara kuskurensa tare da ayyukan alheri da ziyara na yau da kullum, yana haifar da dangantaka mai banƙyama da haɗari tsakaninsa da budurwa mara lafiya. Labarin yana tasowa ne a kusa da girman laifi da tausayi ga Edith.. Wannan tausayi, duk da haka, yana cike da rashin haƙuri da kuma sha'awar kubuta daga yanayin rashin jin daɗi.

Siyarwa Rashin hakurin...
Rashin hakurin...
Babu sake dubawa

Edith, cikin rashin kwanciyar hankali. ya rikitar da alherin Hofmiller da soyayya, wanda ke haifar da jerin rashin fahimta da masifu. Yayin da jami'in ya fi kamawa a cikin gidan yanar gizon sa na sadaka da ba daidai ba, littafin ya bincika abubuwan da ke tattare da yin aiki don tausayi maimakon ƙauna ta gaske.

Babban jigogi na Rashin hakurin zuciya

Tausayi

Tausayi mai haɗari shine, watakila, lakabin da ya fi dacewa da wannan aikin, tun https://www.actualidadliteratura.com/stefan-zweig-mejores-libros/Zweig yana amfani da siffar Hofmiller don gano yadda tausayi zai iya zama nauyi. Jarumar tana jin wani nauyi mai girma ga Edith, ba don soyayya ba, amma saboda wajibcin rage mata wahala.

Ta haka ne hankalinsa ya ci karo da sha'awarsa na guje wa yanayin da ya ke samun rashin jin dadi. Wannan ya haifar da babbar tambaya: Yaya girman ɗabi'a ne a yi aiki don jinƙai yayin da babu soyayya ta gaskiya?

magudin tunani

Edith, ko da yake tana fama da yanayin jikinta, ana kuma gabatar da ita a matsayin mai amfani da wahalar da take sha wajen sarrafa na kusa da ita. Zweig ya nuna cewa ko da wahala na iya zama kayan aiki na iko, kuma tausayin da ba a fassara shi ba za a iya amfani da shi a hankali da kuma rashin sani.

Karancin dan Adam

An saita novel ɗin a lokacin da rashin ƙarfi, na zahiri da na zuciya, ke kan gaba. Kiwon lafiyar Edith yana nuna rauni, amma haka ma psyche na Hofmiller, wanda, a ƙarƙashin matsin nasa, ya rushe a zuciya.

Wajibi da sha'awar mutum

Hofmiller yana ci gaba da raguwa tsakanin abin da ya ɗauki "aiki" ga Edith da kuma sha'awar tserewa halin da ake ciki. Wannan yana tayar da tambayoyi game da tsammanin zamantakewa, jin girma, da kuma yadda waɗannan rundunonin za su iya murkushe burin mutum.

Ƙwarewar Zweig a cikin ci gaban tunani

Stefan Zweig ƙwararren ƙwararrene ne wajen nuna ilimin halin ɗan adam. En Rashin hakurin zuciya, yana haifar da yanayi da aka ɗora da motsin rai, tashin hankali na ɗabi'a da dilemmas na ɗabi'a. Jaruman ba jarumawa ba ne kuma ba miyagu ba ne, amma ’yan adam sun makale a cikin wani yanayi da ya wuce su.

Hofmiller, alal misali, ba ƙeta ba ne, amma rashin iya yanke shawara da kuma tsoron rikici ya kai shi ga cutarwa. A wannan ma'ana, Zweig yana gayyatar mai karatu don yin tunani a kan shawarar ɗan adam da sakamakonsu., ko da lokacin yin aiki da kyakkyawar niyya.

Salon labari na aikin

An ba da labarin labari ne daga mahangar Hofmiller, wanda ya baiwa mai karatu damar nutsar da kansu cikin yanayin ruɗaninsa. Sautin sa na ciki da sau da yawa na bacin rai yana nuna nauyin tunanin yanke shawara. Zweig, tare da kyawawan salon sa na ruwa, yana ɗaukar mai karatu tafiya ta ciki inda tunanin jarumin shine filin yaƙi na gaskiya.

Har ila yau, yana da ban sha'awa yadda Zweig ya shiga cikin tausayi, yana jujjuya shi ta hanyoyi daban-daban ba tare da gajiyar da jigon ba. Marubucin ya shiga cikin dukkan matakan da taƙawa ka iya zama gini mai haɗari ga dan Adam da ke fama da shi fiye da kima, ba tare da takura ba. Gaba ɗaya, yana bazuwa cikin bala'in da ke girma yayin da labarin ke kusantowa.

Sobre el autor

An haifi Stefan Zweig a ranar 28 ga Nuwamba, 1881, a Vienna na daular Austro-Hungary. Ya girma a cikin iyalin Yahudawa masu arziki, don haka ya iya ba da kansa gabaɗaya ga ilimi. Ya yi karatu a jami'ar garinsu, inda ya sami digiri na uku a fannin Falsafa.. Haka nan, ya dauki kwasa-kwasai da dama a cikin Tarihin Adabi.

Wannan ya ba shi damar goga kafaɗa da al'adun zamaninsa, da haɓaka ma'anar nazari mai faɗi wanda daga baya zai yi amfani da shi a cikin ayyukansa. A shekara ta 1901 ya fara buga wakokinsa na farko, inda marubuta irin su Hugo von Hofmannsthal da Rainer Maria Rilke suka yi tasiri.. Bayan shekaru uku, fitowar sa na farko a cikin nau'in novel ya fito fili.

Sauran littattafan Stefan Zweig

Gidan wasan kwaikwayo

  • Thersite (1907);
  • Les Guirlandes na farko (1907);
  • Irmiya (1917);
  • Gidan da ke gefen teku (1911).

Karin magana

  • igiyoyin azurfa (1901);
  • Rawanin farko (1906).

Almara

  • mafarkin manta (1900);
  • Spring a cikin Prater (1900);
  • a cikin dusar ƙanƙara (1901);
  • Tauraron kan dajin (1904);
  • abubuwan al'ajabi na rayuwa (1904);
  • Soyayyar Erika Ewald (1904);
  • Tafiya ko Tafiya (1904);
  • Giciye (1906);
  • Zazzabin zazzabi (1908);
  • sirrin kona (1911);
  • Tarihi a cikin faɗuwar rana ko labarin Twilight (1911);
  • gwamnatin (1911);
  • rani novel (1911);
  • Labarin kurciya ta uku (1916);
  • Episode on Lake Léman (1919);
  • Tsoro (1920);
  • Wasika daga baƙo (1922);
  • Amok ko mahaukacin Malaysia (1922);
  • Idanun ɗan'uwa na har abada (1922);
  • Matar da shimfidar wuri (1922);
  • ban mamaki dare (1922);
  • Titin Moonlight (1922);
  • tarin gaibu (1925);
  • Ilimi na yau da kullun na ciniki (1925);
  • Rikicin ji (1927);
  • Awa ashirin da hudu a rayuwar mace (1927);
  • Bikin aure a Lyon (1927);
  • Rahila ta yi magana da Allah (1928);
  • Buchmendel (1929);
  • tafiya zuwa baya (1929);
  • Leporella (1935);
  • Yan'uwa mata (1936);
  • Kalaidoscope (1936);
  • Alkukin da aka binne (1937);
  • Rashin hakurin zuciya (1937);
  • m ibada (1939);
  • Chess labari (1941);
  • Mutumin da ba za a manta da shi ba (1948);
  • Biyan bashin da ya wuce (1951);
  • Clarissa (1981).

Tarihin rayuwa

  • Lemile Verhaeren (1910);
  • Fouche, gwanin duhu (1929);
  • Warkar da Ruhu (1931);
  • Americo Vespucci. Labarin kuskuren tarihi (1931);
  • Marie Antoinette (1932);
  • Mariya stuart (1934);
  • Erasmus na Rotterdam (1934);
  • Mai nasara na teku: labarin Magellan (1938);
  • Romain Rolland: mutumin da aikinsa (1921)
  • Balzac: Labarin rayuwa (1920);
  • Lokacin taurari na ɗan adam (1927).

Bar tsokaci

Your email address ba za a buga. Bukata filayen suna alama da *

*

*

  1. Wanda ke da alhakin bayanan: Miguel Ángel Gatón
  2. Manufar bayanan: Sarrafa SPAM, sarrafa sharhi.
  3. Halacci: Yarda da yarda
  4. Sadarwar bayanan: Ba za a sanar da wasu bayanan ga wasu kamfanoni ba sai ta hanyar wajibcin doka.
  5. Ajiye bayanai: Bayanin yanar gizo wanda Occentus Networks (EU) suka dauki nauyi
  6. Hakkoki: A kowane lokaci zaka iyakance, dawo da share bayanan ka.